metamiri ([info]metamiri) wrote,
@ 2007-09-30 19:52:00
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Current mood: pensive
Entry tags:cheerio-pissing, fandom, godwin's law, language, meta, otw

Cheerio
Daniel Radcliffe, on whether he'd ever consider playing James Bond:
"It would be weird to suddenly be involved in another big franchise, but hey, it takes a big man to turn down Bond," adding, "I don't think the world's ready for a short-arse Bond."

Cheerio:
Today, [info]makesmewannadie  used the term "Cheerio-pissing" to describe the discussion happening in response to OTW's recent announcement. Meanwhile, [info]cereta  posted to say that, from now on, she'd be labeling her posts "squee" to clearly indicate which Cheerios/posts she didn't want pissed on.

Both these comments make me wonder whether the usage of the term "Cheerio-pissing" isn't slipping widely from its origin to now include anything but squee, despite [info]cereta  's attempt to define it more carefully than that. Part of what [info]cereta  notes is that it's not simply a matter of negative vs. positive comments but is, also, a question of whether you're going to be a dissenter, outlier, or otherwise in the minority in whatever you have to say. Thus, she uses the example of a football game in which you are rooting for the "wrong" team (and thus your positive comment is negative only in the context of the given audience). In this case, your good Cheer is misplaced, as you are in enemy territory. Cheerio pissing has an element of befouling someone else's cereal/sandbox/swimming pool.

If [info]makesmewannadie  is right and questioning (even criticizing) OTW is "Cheerio-pissing," then that points to an inherent problem with OTW--perhaps the very problem with which those accused of pissing are concerned. If those people outside the existing board and volunteer group ask questions or offer critiques, are they pissing in someone else's bowl of cereal? Who owns that particular bowl, and isn't it a problem if people like [info]partly_bouncy  and [info]hector_rashbaum  are considered "outsiders" to an enterprise that describes itself as serving fandom at large (including them)? Should they be considered, a priori, outsiders because they have not yet officially volunteered? Is the unspoken assumption here that one has to be on the list of volunteers in order to own the bowl and thus own the right to take a piss? Would anyone ever describe someone as pissing in their own bowl of Cheerios? Do we mind pissing only if we don't feel a sense of camraderie with the pisser? (Because, in my experience, the "squee only" rule tends to be mediated by the sense in which negative comments are acceptable not simply only in certain contexts but also only when said by certain people, with friends having more rights than strangers to define the boundaries of a given discussion).

Strangely enough, when I first heard the term, I could only think of what mothers everywhere know about Cheerios and toilets. Supposedly, sticking Cheerios in the toilet and allowing toddler boys to take aim helps to encourage them to "keep it in the bowl" and not on the seat, the floor, and possibly the ceiling. In that case, of course, pissing on Cheerios is absolutely encouraged, and is considered a rite of passage on the way to civilized (potty) behavior. The idea of pissing on Cheerios is to encourage aim--to teach proper boundaries for certain necessary behaviors.

This is, of course, not just a post about OTW, as I've been thinking about this since an earlier discussion on a completely unrelated topic in which someone invoked Godwin's Law in response to my mention of the Holocaust, and I started to think about the ways in which the phrase "Silence = Death" can become corrupted to the point where we can't even talk about death. Because of Godwin's Law, it's now virtually impossible to discuss the Holocaust online without the Law being invoked before anyone's had a chance to even test the comparison and see if there are any parallels.

Perhaps the problem is that we may well hold up democratic, open discussion as the ideal, but that notion is invariably in tension with the sense that some of us "own" the rights to things (fandom, fannish history, Jewish history, whatever that bowl of Cheerios actually is). The problem comes, I think, with the ways in which discussion is claim-making, and how often we seek to claim things which we know are too large and unwieldy for any one person or even one group of people to handle.

These are not fully formed thoughts, but the beginnings of thoughts, and I'll end with another one, which is on my mind. The name "Organization for Transformative Works" reminds me of that old problem of cultural anthropology, where the observer invariably changes the thing being observed. I wonder what fandom will look like in ten years, and what kind of transformation this attempt at "organization" will have wrought.




(Post a new comment)


[info]copracat
2007-10-01 03:07 am UTC (link)
Fanhistory.com is crashing my browser making me even more keen to see if it's the page I think it is: a HP-scandal-centric wiki. Or perhaps that's another fan history site?

Do you know that in Australia Cheerios isn't (aren't?) a cereal, cheerios are little tiny hotdogs, cocktail frankfurts often refered to as 'little boys', steamed or boiled, tossed in a bowl, stabbed with a toothpick and dipped in tomato sauce (ketchup, not salsa). Now that I've got over laughing my arse off at the term 'cheerio-pissing'...

The one thing that these inevitable* arguments highlight is that we are so very far from one fandom, and that many parts of fandom have simply not and may not ever hear of each other, simply because fandom keeps springing whole from fannishly inclined minds. The gen and slash parts of a fandom may not even interact. The emo and rock parts of bandom seem to be divergent, are they even one thing? We don't tie TV fandoms together simply because they are all broadcast on TV.

But one thing that stands out for me in [info]hector_rashbaum's post is how confidently she requests significant and in depth responses and inclusion from an organisation made up of fans with a mission for fans. That's the key of what you're asking isn't it? Ownership and rights.

*Inevitable because I think that there is nothing OTW could do, no ideal number of bases covered, that would leave them free from criticism by other fans.

(Reply to this) (Thread)

Pointless Cheerio Facts
[info]mimi_sardinia
2007-10-02 05:53 am UTC (link)
Actually, Cheerios cereal is in Australia, I've seen it at work, in the cereal aisle (I work at Coles, in a southern Brisbane suburb).

(Reply to this) (Parent)(Thread)

Re: Pointless Cheerio Facts - [info]copracat, 2007-10-02 01:45 pm UTC
Re: Pointless Cheerio Facts - [info]executrix, 2007-10-02 02:14 pm UTC
Re: Pointless Cheerio Facts - [info]copracat, 2007-10-03 05:44 am UTC

[info]millefiori
2007-10-01 05:46 pm UTC (link)
FWIW, I think that thread of comments did contain some cheerio-pissing, althoug labeling the whole thing that way is inaccurate. There were some questions and reservations about the archive that seemed like legitimate things to think about and discuss, but there were also some snide, derogatory comments that didn't seem to serve any purpose other than indicating the commenter wasn't in favor of the archive/the owners/the idea.

As for the Godwin's Law thing -- I've been thinking about that since you mentioned it in the recent Judaism discussion. I can see it (and all the other 'laws' like it) as a convenient shorthand for a ridiculous debate tactic, but there have to be exceptions. And I think that people who casually toss out something like 'Godwin's law; you lose' as a response to a considered comment aren't really the sort you could have an intelligent discussion with in the first place. The trick is how to get the other people who want to discuss to ignore the discussion police and carry on despite the attempted smack-down.

(Reply to this) (Thread)


[info]metamiri
2007-10-05 05:40 pm UTC (link)
I think that even "snide, derogatory comments" shouldn't be considered Cheerio pissing in this case simply because the boundaries of CP depend, so much, on the notion of "Don't piss on my Cheerios." If we consider OTW owned by the board, then yes, these comments might be CP. But if OTW is, as it's claiming, in existence for and about and by fans (rather than just the group on the board), then even the snidest comment is necessary for the process of discussion rather than disruptive of squee or happiness.

As for Godwin, I've noticed that even very thoughtful people have been so swayed by the power of the "Godwin's Law" call that they are frequently stifled by it.

(Reply to this) (Parent)


[info]cathexys
2007-10-01 07:47 pm UTC (link)
First of, I had no idea this is where the term came from...apparently I taught my boys to pee without cheerios and never even thought about the term outside of its metaphoric use :)

Also, I think we've already agreed on the dangers of prohibiting invocations of large scale and dramatic events ipso facto, thus making them a singularity that we cannot learn from or draw conclusions from...

Finally, I'm really interested in this question: isn't it a problem if people like partly_bouncy and hector_rashbaum are considered "outsiders" to an enterprise that describes itself as serving fandom at large (including them). I'm interested in this, because while I don't think volunteering is required to be part of OTW (or allowed to criticize it), I do wonder in general whether there are fannish groups and trajectories that may indeed *not* be part of where OTW might need to or want to go--and I don't think that's a bad thing.

Fandom (as in large scale fandom) is way too diverse and broad to ever be represented by one organization: celebrity fans, football fans, cult film fans,...we encounter definitional issues all the time when we try to define our object of study in fan studies! So we've coined the term media fandom to talk about what "we" do, but even that term gets more complicated--what about anime? what about Nifty celebrity fic? what about rockfic? what about the person who really wants to write queer original fiction but thinks that actor x and y are cute and why not give them those names and physique? ...

At some point, I think lines may have to be drawn, and while I'm not the one to draw them, I think the questions and references in respect to RPF made in the conversation were interesting: (1) hector_rashbaum emphasized that to her RPF is not transformative (and rejected the definition of RPF as fiction that transforms a source text that happens to be a celebrity's life, which to me had always been the central reason as to why RPF [or parts thereof] had a place at the media fandom table); (2) in recommending sources, screwthedasies gets mentioned because her [?] experience in setting up a *press* to publish and sell rockfic I assume made her look into the legalities (source). Now, my response to this is fairly kneejerk, because while we've always had zines, I'm not sure this is still following the central rule of non profit that I learned and that it looks OTW is following.

So here's the question: at what point does a fan community *not* fall under the auspices of OTW and how can we/they define boundaries to acknowledge that while there are various ways to fannishly engage and be creatively fannish, maybe not every one of them is actually in the purview of OTW. And *should* OTW describe itself as serving hector_rashbaum???

(Reply to this) (Thread)


[info]kyuuketsukirui
2007-10-01 08:19 pm UTC (link)
The thing is, OTW keeps talking as if it's an archive for all of fandom, when really they mean it is an archive for their small LJ-based segment of media fandom. That's who's involved, that's whose ideas are being taken into consideration, that's who they mean by "us" and "we" and "our", and it really would make sense to drop the pretense that they mean something larger.

(Reply to this) (Parent)(Thread)

(no subject) - [info]kaiz, 2007-10-01 09:01 pm UTC
(no subject) - [info]kyuuketsukirui, 2007-10-01 09:15 pm UTC
(no subject) - [info]executrix, 2007-10-01 09:24 pm UTC
(no subject) - [info]kaiz, 2007-10-01 09:43 pm UTC
(no subject) - [info]kaiz, 2007-10-01 09:54 pm UTC
(no subject) - [info]kyuuketsukirui, 2007-10-01 09:58 pm UTC
(no subject) - [info]kaiz, 2007-10-02 12:20 am UTC
(no subject) - [info]carmarthen, 2007-10-03 10:50 pm UTC
(no subject) - [info]kyuuketsukirui, 2007-10-03 10:54 pm UTC
(no subject) - [info]cathexys, 2007-10-01 09:01 pm UTC
(no subject) - [info]kyuuketsukirui, 2007-10-01 09:09 pm UTC
(no subject) - [info]cathexys, 2007-10-01 09:16 pm UTC
(no subject) - [info]thelastgoodname, 2007-10-01 09:23 pm UTC
(no subject) - [info]metamiri, 2007-10-05 05:46 pm UTC
(no subject) - [info]alixtii, 2007-10-10 01:02 am UTC
(no subject) - [info]tiferet, 2007-10-02 01:00 am UTC
(no subject) - [info]kyuuketsukirui, 2007-10-02 01:03 am UTC
(no subject) - [info]tiferet, 2007-10-02 07:20 pm UTC
(no subject) - [info]carmarthen, 2007-10-03 10:53 pm UTC
(no subject) - [info]tiferet, 2007-10-03 11:06 pm UTC
(no subject) - [info]slashpine, 2007-10-04 01:30 am UTC

[info]screwthedaisies
2007-10-01 09:07 pm UTC (link)
So here's the question: at what point does a fan community *not* fall under the auspices of OTW and how can we/they define boundaries to acknowledge that while there are various ways to fannishly engage and be creatively fannish, maybe not every one of them is actually in the purview of OTW.

That is one of the most interesting questions I've seen come up, and I hope there's a lot of discussion on this--and that in the end either OTW narrows their scope, or if they're determined to be for all of fandom, begins to act in that broader scope (and here I'm not even thinking about outreach as much as terminology, because "transformative works" and "media fandom" are some of the first things a person might be exposed to with the project, and those terms are exclusionary...which brings me to your and rejected the definition of RPF as fiction that transforms a source text that happens to be a celebrity's life, which to me had always been the central reason as to why RPF [or parts thereof] had a place at the media fandom table. My reaction to reading that was "Wait--do we want a place at the media fandom table?" Media fandom and bandfic have always been separate in my head (is it because I came to bandfic first?). If media fen try to pull nonmedia fans under the media fen umbrella (for convenience?)...I don't know, it's just not my label and I don't want to wear it (except when I dip my toe into a media fandom every now and again). But...am I in the minority of RPFers who feel that way? Am I in the minority of rock band fiction writers who feel that way? Is the general consensus different across the various subsets of RPF fandoms? How about if we were to take RPFers and remove those who started out in media fandom, what's that do to the results?

I actually think OTW could be an archive for all (or at least most) of fandom...but it really means they'd have to open their arms to all of fandom--by the terms they use, by communicating more often to people who aren't volunteering but are potential users (and potential spread-the-worders) (I'm thinking more frequent little updates on their journal), etc.


And totally OT, but since I can address this, I figure why not:

Now, my response to [Rockfic Press] is fairly kneejerk, because while we've always had zines, I'm not sure this is still following the central rule of non profit

The authors do get paid royalties for their work, which usually means, "Oh hi, I have $1.40 for you this year, how would you like that paid?", but a couple three authors have made enough to take themselves out to dinner. Rockfic Press itself, on the other hand, cost me (meaning money in minus money out, not money out disregarding money in) $5453.00 in tax year 2007.

That said, however, the "central rule of non profit" definitely does not apply to either the company or its contributors.

* I believe that contributors deserve to be compensated for their work.

* If Rockfic Press ever turns a profit, it would put me in a position to do more to promote rock band fiction and some of my favorite authors--no bad thing in my mind.

* Finally, the legal issues surrounding RPF are different than those surrounding FPF: different playgrounds, different rules. The no profit standard, as far as I know, comes out of media fandom and copyright/fair use issues. (If I'm wrong on this, let me know. It wouldn't change how I run Rockfic Press, but it'll be nice to not put my foot in it in future discussions. :))

(Reply to this) (Parent)(Thread)

(no subject) - [info]screwthedaisies, 2007-10-01 09:09 pm UTC
(no subject) - [info]cathexys, 2007-10-01 09:30 pm UTC
(no subject) - [info]executrix, 2007-10-01 09:39 pm UTC
(no subject) - [info]cathexys, 2007-10-01 09:41 pm UTC
(no subject) - [info]screwthedaisies, 2007-10-01 10:06 pm UTC
(no subject) - [info]executrix, 2007-10-01 11:10 pm UTC
(no subject) - [info]screwthedaisies, 2007-10-01 11:27 pm UTC
(no subject) - [info]alixtii, 2007-10-10 01:09 am UTC
Who does OTW serve?
[info]melannen
2007-10-01 09:07 pm UTC (link)
OTW (assuming *my* understanding of their aims is correct, and they haven't shifted in the interim...) is working from the assumption that an increased public profile of fandom is inevitable, and having an organization like OTW around as a visible, fan-run entity is preferable to letting non-fans take control of the changes in fandom. That's an assumption that is ... not uncontroversial, and large segments of fandom don't agree, and are never going to agree. So inevitably, OTW is going to be led by, and focussed on, the segment of fandom that is interested in working on greater visibility and interactions with non-fans, and it's going to seem less relevant the rest of fandom.

On the other hand... if their assumption is right (and I, of course, happen to believe that it is) then *all* of fandom is going to need them, and they are going to have to be ready, and willing, to understand, support, and defend all segments of fandom, regardless of whether those parts of fandom happen to like or agree with them or not. And, if part of their function is creating a visible target for non-fans to aim at while protecting the rest of fandom, they need to describe themselves as being present for all fans, even those fans whose experience is peripheral (or even antithetical) to the part of fandom that OTW grew out of.

...I think I'm on the verge of comparing them to Batman. Maybe I should stop.

(Maybe I'm alone in thinking that OTW is an activist group first, and a website second (and primarily to support their activism.) But the original brainstorming posts really seemed to be aiming in that direction, and recent reminders that OTW is the *organization*, not the *archive*, seem to back me up. Should the archive's, as opposed to the NPO's, purview be everything even vaguely fannish? Probably not. But the archive is barely at the brainstorming stage, as far as I can tell.)

(Reply to this) (Parent)(Thread)

Re: from m_f, of course - [info]cathexys, 2007-10-01 09:19 pm UTC
Re: from m_f, of course - [info]melannen, 2007-10-01 09:58 pm UTC
Re: from m_f, of course - [info]slashpine, 2007-10-02 06:58 am UTC
via m_f and comments in my original post
[info]hector_rashbaum
2007-10-01 10:48 pm UTC (link)
So here's the question: at what point does a fan community *not* fall under the auspices of OTW and how can we/they define boundaries to acknowledge that while there are various ways to fannishly engage and be creatively fannish, maybe not every one of them is actually in the purview of OTW. And *should* OTW describe itself as serving hector_rashbaum???

I think this is an excellent question to raise. I think right now, the attempted scope IS to include everyone, but the efforts are falling short. Bad wording. But it looks to me as if they keep going the way they go so far, that won't happen. Which leads to the question of what's the solution to that? Is it better to narrow the scope, or keep working and examining methods until a way to successfully encompass all of fandom?

It'll be interesting to see what ends up happening.

and in regards to this: the definition of RPF as fiction that transforms a source text that happens to be a celebrity's life, which to me had always been the central reason as to why RPF [or parts thereof] had a place at the media fandom table

I think [info]screwthedaisies said it better than I can - I wasn't aware RPF was at the media fandom table. It's not a label I've ever applied to myself, and I don't think it does apply. I think it does more good, in the long run, to look at them as different entities - with similarities, of course, but still essentially different - rather than finding x reason why RPF is at the media fandom table whether RPFers think so or not.

But, like [info]screwthedaisies said, maybe we're in the minority. I participate in a rather small, isolated niche of RPF, so for all I know it's more normal to consider RPF to fall under "media fandom" and we're just weird ;)

(Reply to this) (Parent)(Thread)

Dis is Polymalt! - [info]executrix, 2007-10-01 11:24 pm UTC
Re: Dis is Polymalt! - [info]hector_rashbaum, 2007-10-02 01:28 am UTC
from m_f, of course
[info]melannen
2007-10-01 08:48 pm UTC (link)
I've been following the discussions from that post with great interest, because I really think that it *is* an issue of boundaries. The audience that post's content should have been for is not the audience which actually read it or the audience it was aimed at.

...which is to say, that post had the sort of tone and content I'd expect to see in a nonprofit organization's newsletter to its members, aimed at people who are already committed to the organization, and supporting its approach to the issues, and familiar with its terminology and ideological background. And to that audience (as can be witnessed by all the squee comments on the post) it was a satisfactory and excellent update.

Unfortunately, it wasn't a newsletter to committed members. It was a public lj post in a community that is their only public face and had a watcherslist much larger than the original supporters. A lot of the people who are objecting are reading it the way they'd read any other lj post. Most importantly, I think, they are looking at it as a *fannish* effort, and reading the post through the filters of established fan methods of organizing and communicating things. A legally untouchable, officially incorporated nonprofit that is intended to be a publicly irreproachable spokesgroup is not going to be able to operate in the same fannish modes that your usual internet archive or site admin uses, because the intent was to create an organization that can operate in mainstream modes as well as fannish ones. And the procedures of such an organization are going to be different - but that news post *wasn't* visibly different from any other ficathon or archive announcement or whatever, and so people are treating it that way, and finding it desperately inadequate.

I think that's where pissing on Cheerios (and the issue of aim) comes in. It's another round of the endless question of public/private space that's always been an issue in LJ fandom. Those who feel that they are already members of OTW feel like the comments in the newsletter by people not supportive of the organization are the equivalent of somebody shoving their way into a small meeting in somebody's living room and yelling about how stupid and useless all our work is and that we should all go to their meeting instead. But the people who are speakng up in dissent are treating it like a public forum where everyone is invited to share their views and spread their ideas. It isn't helped by the fact that the people who wrote that post, and the people who were officially responding in the comments, don't seem to have thought about issues of audience ahead of time, and so it's not clear exactly who they were intending to speak to with that post.

Whose Cheerios were they, anyway?

As a strong supporter of OTW, I find a lot of what the opponents are saying to be unneccessarily strident - not helped by the fact that I remember some of the names from previous turf wars -, but at the same time I think most of the blame for this particular flare-up is probably the fault of the OTW people. Considering that the organization was originally brainstormed in response to shoddy corporate communication, and that they've supposedly spent the intervening months getting the corporate side of the organization set up, their initial public announcement probably should have been in the form of a press release, written in the style of corporate communication, precisely and clearly stating the updates. And they should have had people already scheduled (with official OTW identification, at the very least mod hat icons! -learn from LJ's mistakes) to respond to questions and objections using official, pre-prepared information, even if it was all corporate-speak. Instead we got something that read like the notes of a Scout meeting, and a community relations person who had to scramble for answers, which is not a great omen for an organization whose founding purpose is public communication. On the other hand, I get that they're trying to tread a fine line between following real-world rules, and seeming too far from fannish communities. And that they're trying to do an awful lot as fast as possible.)

(Reply to this) (Thread)

Re: from m_f, of course
[info]cathexys
2007-10-01 09:20 pm UTC (link)
great post!!!! I kept on nodding along. I think the distinction between OTW and An Archive of Our Own is really central and one it took me a while to fully understand...

(Reply to this) (Parent)

Re: from m_f, of course
[info]slashpine
2007-10-02 07:33 am UTC (link)
I like your point about audiences. It definitely seemed to presuppose that most reading were current with what was going on OTW-wise... which most probably weren't. Certainly not I: I was seriously OTW:WTF? for the longest time, then once I realized what and who this was, had to read the whole thing again. I'm sure this will change and improve.

I'm thinking there will need to be more work, however, to spell out the fine-line differences between "spokesgroup for" and speaking "of" or "about." No way will OTW, in any form or membership, be completely representative of *all* fen (even leaving out, say, soccer fans :-) as Cathexys reminds us... Even if those who are already railing at OTW get to bloody *pick* the board, it won't be all-inclusive.

And why should it be? Let's remember that "representing" does not mean "government." OTW isn't fandom's Assembly of the People. I think there's a different, more social sense of representation in play here. More like a good news story, whose sources should be credibly "representative" of the breadth of the situation or group being talked about. For example, my brother emails me a link to a Salon story about Blackwater and the problem of private soldiers in Iraq. My brother (an unnamed source) considers it a decent report, because those quoted are a "representative" sample of the breadth of the behaviors reported. Those sources weren't "elected", however. Or self-selected. They simply are, in the view of an experienced spokesperson (aka "reporter") a group whose comments will convey an accurate overall understanding of the contractor problem in Iraq to people in the U.S. who aren't contractors, and don't know Iraq.

That's what I see OTW trying to do in part (in response to FanLib): be able to convey a more accurate and broad picture of what fandom is to folks who don't know much; not "convey a total, accurate picture of fandom feelings" b/c that's impossible by definition. There is no "total" map of fandom and unless fandom and the world change, never will be.

So those criticizing OTW as not being "representative" might need -- along with OTW -- to mutually clarify the meaning of that term being used, so as to eliminate ambiguity, and false expectations on the part of some fans. OTW is not gonna be organizing elections. A tiny sub-fandom (I'm in a few) that wants to be "represented" directly may need to help OTW do that; or may want to accept that representing fandom may not actually need a cat-macro from each of 5000 subfandoms to get the point across.

OTW is not paid people. I think comparing them to LJ/6A's needs to keep this in mind. LJ/6A *are* paid. They've also been in existence for years.

... strident. Uh yeah. In fact, some of it is what I'd call grudge-wank, in that there hasn't been full disclosure that old bones with one or more OTW folks are being picked under cover of new questions. But I'm sure I'm not the only one able to see that just from the tone and the topics nit-picked.

Topping from below was another image I flashed on. Ahh, fandom, how I | thee. It's all quite fun, and not on FW yet, so we're cool :D

(Reply to this) (Parent)

Re: from m_f, of course
[info]metamiri
2007-10-05 05:54 pm UTC (link)
I've been following the discussions from that post with great interest, because I really think that it *is* an issue of boundaries. The audience that post's content should have been for is not the audience which actually read it or the audience it was aimed at.

Yes and yes again. While I was more than a bit surprised at that initial post and its tone and approach to audience, I've been even more surprised (and, at times, baffled) by the "job openings" posts.

As you note, given that OTW was, in part, a reaction to poor corporate communication, and given the number of writers already on board (and on the board), I'd've expected something that didn't look quite so much like it was written by someone who'd never met with the incredibly diverse group of people that is "fandom."

(Reply to this) (Parent)


[info]executrix
2007-10-01 08:52 pm UTC (link)
Lots of stuff going on here.

Media fandom is immense, and it would be one helluvan accomplishment to come up with a stable platform that really did cover media fandom and its fiction. And, to an extent, there is a potential problem of OTW excluding fanworks that don't fit the media fandom template--but on the other hand, I'm not sure how many people in other kinds of fandom would find the OTW structure and audience suitable for their needs. But agreed that an archive tailored to media fandom needs should describe itself as such.

Miri: I think Godwin's Law applies only to name-checking the Holocaust frivolously and in inappropriate contexts, e.g., "I don't know if I should buy those cute purple shoes, they're $95 and I bet the heels are too high to wear all day at work" "How can you talk about shoes when we live in the univers concentrationnaire?" "LOSE!"

About squee: I think there's a difference between a pure matter of taste and selecting options that have practical implications. So I think that it makes a lot of sense for OTW to consider all sorts of suggestions, before things get set in stone. As to the tone in which suggestions are expressed, well, that goes to "Not on my Christmas list!" and not whether the suggestions make sense or not. However, if someone posts "I just watched New Show X and I love it!" or "Hurray, New Season of My Show has started!" I don't think they're really looking for a reasoned critique of the show, much less someone else's countervailing opinion that "your show makes The DaVinci Code look like a masterpiece."





(Reply to this) (Thread)


[info]metamiri
2007-10-05 05:56 pm UTC (link)
I agree with you on what GL is supposed to mean. But in practice, I've seen it used (and misused, and abused) as a means to end discussions by disallowing any mention to the Holocaust, pre-emptively, without pausing to listen and see whether the mention was, in fact, relevant.

In a sense, GL has become less of a judiciously applied law than a large stick with which people bash other people over the head.

(Reply to this) (Parent)

Here from M-F
[info]slashpine
2007-10-02 08:09 am UTC (link)
Great linguistic discussion :-)

I see that both Urbandictionary.com and answerbag.com have very few and vague definitions: basically something like "putting someone in a bad mood; ruining their day."

Urbandictionary.com also has piss in my cornflakes (9 up, 3 down): A big let down; disappointment; An urban version of "Rain on my parade". (A favorite saying growing up in Michigan, notes the entry-maker.)

From there, links to the related phrases shit in my wheaties, piss on my bonfire (Brit.), and dick in my soup, all broadly meaning to take the fun out of things for someone else, ruin the occasion, buzzkill, spoil their joy, harsh things up, bring them down, and generally be a spoiler.

Ok, so I now know several new ways to say this, with and without breakfast cereal. I agree that questions and comments for OTW are good! And will be helpful. But they might better be phrased *and intended* in a spirit of helpfulness, to avoid descriptions as wank. trolling. grudging on them.

It's possible to simply offer milk for the Cheerios, i.e., ask relevant but constructive questions, rather than pissing in them.

I'm sticking with my hypothesis that some of this free-floating minor rage is leftover from the LJ harshness. Certainly, I think I've seen more of it since May than previously.

And a Schrodinger's Cat-macro to you for your invocation of the observer-changing-the-observed! What a cool thought. And goes three ways: how might efforts to represent a hitherto unrepresented (and in some ways unrepresentable) fandom to the "outside" world change
(A) fandom (preening under the spotlight? slinking offstage? giving the finger to all?),
(B) the outside world (*joins fandom* :-) and
(C) the "representers" (OTW). Hopefully, not by forcing them to give up. Maybe by other fandom/s voices joining them. There's nothing wrong with multiple spokespeople for very large and complex entities!

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Re: Here from M-F
[info]cryptoxin
2007-10-03 02:36 am UTC (link)
I like the notion of fandom as unrepresentable -- that could almost be something to aspire to!

(Reply to this) (Parent)(Thread)

Re: Here from M-F - [info]slashpine, 2007-10-03 03:18 am UTC
Re: Here from M-F - [info]cryptoxin, 2007-10-03 03:40 am UTC
Re: Here from M-F - [info]alixtii, 2007-10-10 01:37 am UTC
Re: Here from M-F - [info]alixtii, 2007-10-10 01:40 am UTC
Re: Here from M-F - [info]alixtii, 2007-10-10 01:35 am UTC
Re: Here from M-F
[info]slashpine
2007-10-03 04:48 am UTC (link)
Ooooh! Thinky!

I'd love to see some of the OTW and/or aca-fans tackle this :-) Just to thrill us fen who have a kink for thinky. This is heavy thinky! Can fandom reflexively define itself even while defining itself as undefinable?
(Calling all pomo lit crit majors.)

I see at least two answers. First, the one you suggest, to proceed hermeneutically by provisionally fixing boundaries and making subsequent frequent, revisions. Here, we do the same with the performative "space" of fandom as news media do with time: accept that it changes every day. Also recognize that each new layer is not just added to the top face, it changes the understanding and configurations of the others. So, practice ongoing revision of something for which there is ultimately no final revision.

Or, instead of "remapping" every day with new layers added to the top each time, present multiple maps. Don't try to bring them into registration, to have them match up on all major lines. Fearlessly offer up multiple perspectives, knowing that each looks skewed through the lenses of others.

History increasingly does this, I think: recognizing that no single perspective encompasses all the dimensions of importance, deploys or encourages several that will between them, represent the key information, and simultaneously demonstrate that multiple POVs are needed. There need not be a battle over which *one* of those is "True" or even "most true," then. But neither does it have to collapse into squabbling subjectivity. Agreement can be reached over which handful of diverse POVs convey a big chunk of the overall picture ... and which additional representations are also significant smaller fandom "realities".

By reaching agreement on main themes, even POVs that overlap or contradict in some others keep from looking simply indecisive, or so subjective that the reader shrugs, picks the one they like and throws the rest out. The Canadian philosopher Lorraine Code has done work I simply adore (smart, and clear) in feminist epistemology to work out ways that multiple standpoints can be in play without slipping into relativism, with no ability to call anything a workable consensus.

To some extent this is actually possible in public process decision-making. Say three stakeholders represent 80% of the land, problems, jobs, what have you -- but you also bring in small stakeholders who differ hugely in their concerns. You jointly write a single document that occasionally has to note there are 6 perspectives that simply don't align, but other times will find they fall along just two or three lines, or even one. Diversity is represented, but neither smothered by enforced unity, nor presented as random chaos.

To me, that would be a kind of good outreach process for OTW as they move along, and for representing-fandom when they get there -- to start by saying, OK, here's the predominant thoughts on X; are there wildly opposed views? Great, let's note them too; maybe in detail. There will be no winner-take-all VOTING for the "official" single Truth. There are multiple views, which remain visible.

It may seem unwieldy and those who only know the Cartesian One Universal Truth, Grand Narrative approach, or are used to our weird polarizing politics, will want to argue every detail till people are driven away, or to fisticuffs. But I've seen this floating-multiple-truths approach with, say, environmental issues, and when it's approached honestly and carefully, the result is an amazingly "thick description" -- and a public one. Anyone who wants to can see all the threads and graininess of the decision, still within it (rather than being hidden or removed, as the One Truth ideal does).

This philosophy predicts there's far more than just two approaches... What about a "quilt" paradigm? Or an admittedly, explicitly limited one?

Using fandom analogies:, we'd have (1) continuous remapping being a Wiki model. (2), a single document with differences openly elaborated within, would be like the fanfic fest on a single pairing: side-by-side, a dozen or more equally compelling versions co-exist. Round-robin fics would be like the quilt or mosaic view. And good metas are explicitly partial. (Until they sprout comments and change)

(Reply to this) (Thread)

strategic essentials...
[info]cathexys
2007-10-03 10:38 am UTC (link)
You know this reminds me of Jenkins' congressional testimony after the Columbine bombing, a professor goes to Washington. I taught it a couple of times with the seemingly rabid testimonies by some of the more extreme voices trying to protect the children--and yet, I always felt a sort of sympathy for the latter even as the former was closer to my ideology and view of the world.

But his academic, complex, non-universalizing approach while balm to my theoretical part also prevented any realm policy finding, i.e., i agree that media isn't a one-directional stream that interpellates all viewers in the same way, but at the same time, I also think that there *are* connections between media, beliefs, and behavior. [In that it's a lot like the debates about author responsibilities we've been having more than once lately.]

So I'm wondering whether there's a time and a place for complexities and whether there are moments when in order for action to occur certain definitions--however provisional and changing--need to be put forward.

Because, in your example, you have three positions--I'm certain even if boundaries are set of what is and isn't included in media fandom you'll have hundreds and thousands of versions to contend with. The question for me is at what point you're facing such outliers that it's not feasible any more and still have a viable project...

(Reply to this) (Parent)(Thread)

Re: strategic essentials... - [info]slashpine, 2007-10-03 06:22 pm UTC
Re: strategic essentials... - [info]cathexys, 2007-10-03 06:23 pm UTC
Re: strategic essentials... pt 1
[info]slashpine
2007-10-03 06:17 pm UTC (link)
Oh, absolutely. This is why I am so in love with the feminist epistemology work of Lorraine Code and others (the touchstone work is in: Alcoff, Linda, and Elizabeth Potter, Feminist Epistemologies, Routledge, 1992).

They go beyond standpoint theory and other recognitions of multiple POVs from 2nd and 3rd wave feminism, postmodernism and postcolonialism, to ask a question that brings this new social and ethical theory back into dialogue with traditional disciplines, and onto the critical ground of how it plays out for RL group decisions and disputes.

Like this one.

I'll use this question to comment on, first, the political and ethical issues that are at stake: e.g., does anyone have a right to speak for fandom, a dispersed and marginalized "group" crosscut by multiple dimensions of activity and identity? Second, on the four or five epistemic "methods" that could be adopted by a group like OTW to resolve this in a way that allows claims for representing fandom to go forward, while minimizing internal and external criticism of that spokesman position, but by addressing such skepticism through justifying the claims rather than ignoring, retreating from, or shouting them down. (And HAY: if my partial reading of much of the HJ fan-debates this summer leaves me rehashing the now-obvious, plz do say so.)

The question raised by feminist & postcolonialist social critique: If there is no normative standpoint, no privileged knower, that autonomous individual Cartesian "objective" viewer of Truth, and if forcing one (and the beliefs of One) on society means silencing people unethically and misrepresenting reality as well, does that mean that, lacking an Ultimate True Knower, we throw our hands up and concede to epistemological anarchy and utter ethical relativism?

As scholars and theorists, feminist epistemologists don't like the way this collapses the possibility of "knowing" into infinite skepticism. As socially concerned people, they recognize that the ethical consequences of both norming the narrow privileged perspective, and allowing all perspectives as equally valid, are even worse, because they are bad for all of society and the environment we exploit. Where there are no mutually agreed standards for choosing between values, politics inevitably devolves to either status quo (patriarchy) or aggressor-wins (hey, patriarchy again! Interesting to note patriarchy as a strategy for winning the prisoner's dilemma...).

Politically, the U.S. has long been entreated to consider a more parliamentary system, i.e., minority party seats and coalitions instead of our winner-take-all two-party fistfight system. We have, what, 5 "independents" in Congress amongst 500? Of course, the hugely diverse wings of each party (moderates, fundies, progressives, etc.) show that the diversity is there and coalitions must be built, but the fact that they all group under the same two labels creates unneeded obfuscation (though I suspect intentional) with the public.

Maybe 'media fandom' vs. RPF / bandfic / whatever it is this other "party" is founding its antagonism in, are labels that also need unpacking and examination to avoid this kind of polarizing dualism, which may also be off-topic and internally distracting. Perhaps some of the reflectively inclined (which, again contrary to several OTW critics, I don't think is all and only academic fans or older ones) might take the HJ / fandebate as inspiration and create a series of discussions around some of these questions: where is fandom? what are its main branches (online and off)? How do these different sites of engagement online -- archives, LJ, lists, wikis -- reflect and shape different fan communities and values? Because it's clear that there are different levels of importance being attached to these sites by some of those in the "outreach" discussion.

(Reply to this) (Thread)

Re: strategic essentials... pt 1
[info]cathexys
2007-10-03 06:22 pm UTC (link)
But see, while I agree with everything you say, I think at some point in order to get stuff done, you may just have to say "hey, let's pretend we have a stable community here that we can somehow delineate and try to get stuff done for them...and by extension maybe others down the line"

What I'm worried about right now is that we may get so caught up in definitional and complexity issues that nothing legal gets accomplished.

Now, Miriam asks with good reason whether accomplishing these things is desirable in the first place, but if we agree that it is, then I think discussion should continue while at the same time actions can be taken under provisionally solid definitions???


...which is to say, I actually don't think we disagree :)

(Reply to this) (Parent)(Thread)

Re: strategic essentials... pt 1 - [info]slashpine, 2007-10-03 06:50 pm UTC
Re: strategic essentials... pt 2a
[info]slashpine
2007-10-03 06:25 pm UTC (link)
As to your concern that too much attention to embracing "outliers" could distract and collapse the entire project of representing fandom in some form -- YES. Absolutely. The temptation into infinite regress, of always seeking or demanding more data (or more outreach, LOL) goes asymptotic online, where data are infinite and multiply and change continuously.

To claim to be representing fandom to non-fandom requires addressing this problem of epistemic regress: how do we know when we know what fandom is? I don't think this has to tie anyone unnecessarily into knots -- nor should tempt us to a Gordian solution, e.g., a proclamation of "WE are fandom, everyone self STFU" -- met immediately by the response already seen, both counterclaims and denials of the claim. And off we go on the epistemic regress merry-go-round. What bugs me right away in this discussion has been that the epistemic claims, which *can* be addressed, and relatively quickly, are converted rhetorically toward other goals. My sense is that in this OTW criticism, they include old interpersonal disputes being carried on under [very thin] cover of "helpful questions," sheerly psychological issues of identity and/or community through ownership (or even through performance wanking), and as I have suggested, a continued effort to address the tensions from LJ/6A's antics through, for instance, publicity panic (how dare you reveal us?!) and fandom scapegoating (those HP/slash/aca-fans are the problem!)

There really are fairly straightforward answers to the epistemic question, "How do we know we're representing fandom?" They're the same positions as exist for any epistemic question, mainly:

(1) skepticism -- it's turtles all the way down; we can never be finished unpacking the justifications under the justifications of our position. This can become the extreme postmodernist or social-constructivist position that there is no
Truth, and no agreement, just subjectivity & relativism. This panics many people into refusing to justify their positions, or running the other way into...

(2) foundationalism -- there are 'real', axiomatic bases for knowledge that need no verification. Find them and we're done. Feminist epistemologists, postmodernists and others concerned with diversity are troubled by the fact that foundatlism's "Truths" have tended to reinscribe privilege, which naturalizes itself by relying on a correspondence theory of truth, as in "genders exist, therefore heterosexuality is normal; men are larger, therefore patriarchal sex roles are natural." Foundationalism leads most quickly to infinite "more data needed!" problems.

(3) Coherentism offers something of a compromise position -- set aside whether it's turtles all the way down, or One True (white male) God at the bottom, and just look at whether a large set of beliefs are coherent, that is, they hang together in a mutually justifying way. This is not to accept circular arguments, but to demand expansive networks of holistic coherence. Both natural science and cultural theories often use, or can use, coherentist justif'n.

(4) "Common sense" can be either coherentist or foundationalist.

(5) Pragmatism - an ends-based approach; if it works for your goal, or your individual psychological or emotional needs, stop worrying.

Now, where does this take OTW or similar "speakers for fandom"?

(Reply to this) (Thread)

Re: strategic essentials... pt 2a
[info]cathexys
2007-10-03 06:32 pm UTC (link)

Now, where does this take OTW or similar "speakers for fandom"?
I don't know, but I think these are all really important questions...which we can debate even as OTW incorporates and starts elections and builds their archive...

(Reply to this) (Parent)

Re: strategic essentials... pt 2b (and apologies for the teal deer!)
[info]slashpine
2007-10-03 06:36 pm UTC (link)
For OTW (or any other) to represent fandom, I would suggest that both skepticism and foundationalism collapse the project. Skepticism does so by denying authority to any claim.

Foundationalism does it by inviting arguments that its claims are inadequately justified; diverging from representation to research in order to combat those arguments; or defaulting to normative definitions that end up denying the very diversity it committed to. For instance, defining fandom as X but not Y, and leaving out too many Y's ... like you, if the "foundational" definer of fandom is "posts fanfic online".

I believe coherentism would work for the project, especially where (a) key claims are verified as approximating foundational "universality" through standard statistical means. For example, if 95% of sources internally ("fans") and externally ("scholars") can agree with the definition of "fan." (If disagreements are noted, this becomes something like my "stakeholder" document model; consensus in the true "collective disagreement" sense, not bland uniformity or compromise trade-offs; compatible in interesting ways with the Hive Mind concept.)

Pragmatism would seem risky for those (like me) who aren't ends-justify-means utilitarians.

Common sense would be useful as a short-words, narrative (fanfic!) form of coherentist view, that can be quickly evaluated and accepted and used by those who aren't interested in epistemology. (The majority of us, and thank god for that.) A common sense epistemic justification of "who speaks for fandom" would be described as just "making sense" or "being pretty much the way it feels to me."

Good arguments and science usually can be framed as, or referred to, common sense. But so can bad ones, like "women can't drive," which held currency till at least 1970; and its foundationalist version, "women can't reason." As a coherentist and environmental philosopher, I'd like to avoid knee-jerk common sense foundationalism like that: it's a shortcut back to the status quo of privileging the biggest bully.

But as a feminist epistemology fan, and again as an environmental philosopher, I'd like to see "common sense" versions of all complex arguments both as a check (intuition & old wives tales do have epistemic value), and as a public service -- just as I don't expect my mom to wade through my dissertation arguments or the neighborhood association to learn engineering to evaluate a toxic waste cleanup decision, I wouldn't want aca-fannishness to create arguments for fandom-speakership that make most fans flee or puke in annoyance.

(And with cognitive science & environmental epistemology high on my research list lately, I'm always interested in seeing if there IS a foundation "giant turtle" at the bottom of the definition of fandom -- that is, if fandom really IS a "natural" or even female "unruly" phenomenon... but that's a whole nother discussion. God I should go write a paper, my prolixity is on a roll.)

(Reply to this) (Thread)

Re: strategic essentials... pt 2b (and apologies for the teal deer!)
[info]cryptoxin
2007-10-03 11:55 pm UTC (link)
No deep thoughts here, but I wanted to say that these are all terrific, smart, provocative comments. In my work life, which is about policy, I oscillate between skepticism and pragmatism -- skepticism for internal/process or sometimes public critique, pragmatism for articulating my own position for public consumption and advancing my arguments/agenda. So, I imagine that if I were OTW, I'd talk to the media or "general public" very differently than I'd talk to fandom. For the former, I'd strategically claim more authority and certainty ("This is what fandom means and does"), trying to leave room for allied-but-alternative claims and constructions ("But you should also get so-and-so's valid-but-different perspective") while simultaneously disqualifying or discrediting oppositional formulations ("Fanfiction violates copyright and should be prohibited/persecuted; fans are overinvested & undersocialized & perverted objects of mockery"). And I'd be more reflexive and provisional in dialogues with fans & fan communities, with the goal that those dialogues would in turn shape & inform my outward-directed articulations. And I'd try to leverage my position to diversify the voices and representations of fandom that circulate in the public sphere, rather than establishing myself as the one true voice of fandom. Of course, the latter is often the most difficult in practice -- you need to build up your credibility before you can leverage it, but by then it's almost too late because you've become the default expert & go-to person....

(Reply to this) (Parent)(Thread)

Re: strategic essentials... pt 2b (and apologies for the teal deer!) - [info]slashpine, 2007-10-04 01:12 am UTC
Re: strategic essentials... pt 2b (and apologies for the teal deer!)
[info]slashpine
2007-10-04 01:10 am UTC (link)
Why thank you! Your own work life analysis is interesting. I'm glad my brief outline of "epistemic" approaches works - the whole phil. of knowledge area is truly on the brain-ouch edge for me most days.

I agree with your strategy (except for you liking pragmatism - ooh, you policy as sausage-factory person!). The only fly in the sausage, er, ointment, would probably be ... the internet. As we increasingly see from YouTube, blogs, etc., not to mention our very own LJ/6A Brad, Abe, etc., there is no such thing anymore as being able to take a different line with "each group." (A), everyone finds out everything; we're all working in cubicle-land now. (B), which group is which to begin with? I'm not sure the memberships are that discrete, as computer news reportage sometimes reveals. Some of those reporting on FanLib and LJ's first breakdown *are* fans. Some who are online, barely are.

Here's one of the ironies of OTW. To have the internal dialogue voice and the external voice not undercut each other, OTW must merge the "personal" (i.e., fandom internal) and "political" (external, i.e. media or 'general public') voices. Otherwise the public voice may lose standing inside, for being unrecognizable when read (as it will be) by fandom, or the public voice will be so different, fandom's flavor will be lost.

That "the personal is political" is uncontroversial now. Under that slogan, a movement fought the compartmentalization of women (to home only, or in service roles) and minorities (service roles, ghetto, farms). It asserted that people have both "public" and "personal" identities that are continuous aspects of the same person, and we can't simply segment off and ignore those parts we don't like -- e.g., a woman's interest in corporate management, or a man's in raising his children. It was argued that people have far fuller identities than a repressive society had allowed, and secured their right to "come out."

Online fandom, however, is loved because that doesn't happen here. Only fragments of identities -- as many separate fragments as choose to split out -- are on display. I'm /pine, you're cryptoxin; through these personas and threads or profiles, only thin slivers are revealed of our full realities elsewhere.

Hence, OTW asked for board candidates willing to let their full identitie be seen (or outed); lj-name with RL-name, slash kinks with neighborhood association, corporate address, whatever. I wonder if a few of the negative comments scorning the board members -- from inside fandom, note! -- for having their RL names up aren't actually discomfort with this transgressive act.

The risks of having a personal identity that is visible *within* or as part of the public one, and vice versa, are yet to be charted for fandom. Some fans have had bad repercussions when fandom roles were disclosed to employers (again, I've heard of other fans doing this - not the public; not that I don't imagine WfI types would love to).

To protect a place where privacy has created the conditions of transformative freedom, a few must sacrifice their own. That's ironic. I wonder also if the panicked "Don't let them find out fandom exists!" is really expressing the unspeakable horror: "Don't let my boss/family/neighbors know where to find me in fandom online!"

I'd try to leverage my position to diversify the voices and representations of fandom that circulate in the public sphere, rather than establishing myself as the one true voice of fandom. Of course, the latter is often the most difficult in practice -- you need to build up your credibility before you can leverage it, but by then it's almost too late because you've become the default expert & go-to person....

You mean, like Henry Jenkins? LOL.

(Reply to this) (Thread)

Re: strategic essentials... pt 2b (and apologies for the teal deer!)
[info]cathexys
2007-10-04 01:26 am UTC (link)
Im' laughing over here, because Henry was my very first thought too...TP was the best and worst ever to happen to him, i think :)

(Reply to this) (Parent)(Thread)

Re: strategic essentials... pt 2b (and apologies for the teal deer!) - [info]slashpine, 2007-10-04 01:36 am UTC
Re: strategic essentials... pt 2b (and apologies for the teal deer!) - [info]slashpine, 2007-10-04 01:37 am UTC
Re: strategic essentials... pt 2b (and apologies for the teal deer!) - [info]cryptoxin, 2007-10-04 01:58 am UTC

[info]cryptoxin
2007-10-04 01:57 am UTC (link)
Again, great observations -- especially re: the ironies of OTW.

Of course, this might very well all be hypothetical -- at the end of the day, we might get a shiny new archive that protects fanfiction from corporate encroachment, take-down notices from copyright holders, vulnerability to TOSsing, and oblivion. Which is a lot -- but doesn't necessarily require any overall political advocacy or public relations campaign or representational strategies.

Fandom's gotten pretty far with a "silence, exile, cunning" approach, carving out alternative spaces in the gaps and margins, sometimes hiding in plain sight and sometimes going underground and sometimes playing nomad and sometimes organizing parades and picnics.

I'd love to see our fanfic and vids and meta etc. achieve a greater cultural prominence and influence -- because I think it has value and importance, and could potentially challenge an increasingly corporatized media environment. Slash for the masses! But mine is surely a minority -- even fringe -- position, and perhaps hopelessly utopian and romantic. I'd also love to see fandom emerge as an important voice and force in a broad coalitional politics capable of mounting an effective challenge to the current copyright regime and, more broadly, the entire domain of IP law (e.g., the struggles over generic AIDS drugs for the developing world viz. pharmaceutical patents). But that's my agenda, not necessarily fandom's.

And there's something to be said for the dispersed/networked, communal/anarchist body politic of fandom as a way of life worth preserving -- which may be fundamentally irreconcilable with the kinds of social and cultural formations required for the kinds of political agency and efficacy that I just fantasized about. Which partially speaks to [info]metamiri's closing question: I wonder what fandom will look like in ten years, and what kind of transformation this attempt at "organization" will have wrought.

(Reply to this) (Thread)


[info]executrix
2007-10-04 12:28 pm UTC (link)
In terms of drug patents, I find it a hopeful sign that sovereign nations such as Thailand are willing to threaten wholesale patent-breaking in order to improve license terms. In terms of copyright, however, I think the cannons of the sovereign nation (nay, empire) of Disney are going to be turned on any attempts to alter copyright (and trademark) law.

In a sense, the more sophisticated fanworks become, the more viable source confusion becomes as a legal argument. That is, if header information, including disclaimers, gets stripped out, at some time it might be possible for fans to make transformational works that are polished enough to be reasonably confused with official anime, or film or TV.

(Reply to this) (Parent)(Thread)

(no subject) - [info]cryptoxin, 2007-10-04 12:39 pm UTC
(no subject) - [info]executrix, 2007-10-04 02:36 pm UTC

[info]maz1e7582
2008-05-19 06:44 pm UTC (link)
Your journal is beautiful!

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